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Silhouette of stage curtains frames the letters O & D
OPERA AND DISABILITY
  • Onstage, a performer with touseled dark hair in a red t shirt and jeans points a gun at an older performer with white hair in a plaid shirt and jeans, seated in a wheelchair.
    Analysis | Criticism

    Kill or Cure? The Fates of Disabled Characters in the Operatic Canon

    ByCharlotte Armstrong April 23, 2019February 10, 2024

    What happens to disabled characters in opera?

    Read More Kill or Cure? The Fates of Disabled Characters in the Operatic CanonContinue

  • Lucia, a soprano with long red hair, kneels on the ground in a bloody wedding gown with her arms outstretched and a wide smile. She is surrounded by red flowers.
    Analysis

    Lucia’s ‘Madness’: Femininity and Freedom

    ByCharlotte Armstrong October 17, 2018February 10, 2024

    What does Lucia Di Lammermoor reveal about 19th-century attitudes to ‘madness’?

    Read More Lucia’s ‘Madness’: Femininity and FreedomContinue

  • Headshot of David, a white cisgender man with long brown hair pulled back and hazel eyes wearing a black shirt.
    Criticism | Experience | Guest Author

    Diverse and Inclusive Casting Is an Artistic Breakthrough of Operatic Proportions

    ByDavid Salsbery Fry August 6, 2018February 10, 2024

    David Salsbery Fry discusses his love of opera, social privilege, and diverse casting.

    Read More Diverse and Inclusive Casting Is an Artistic Breakthrough of Operatic ProportionsContinue

  • Gold logo incorporating the letters C, T and M
    Experience | Panels & Conferences | Report

    ‘Cripping the Muse’ Conference Report

    ByCharlotte Armstrong July 8, 2018February 10, 2024

    A commentary and conference report of the ‘Cripping the Muse’ event at the University of Leeds.

    Read More ‘Cripping the Muse’ Conference ReportContinue

  • Onstage a group of performers, a standing Black person and a white wheelchair user, are dressed in printed cotton dresses and knee high stockings, in the middle of singing while signing in ASL.
    Criticism

    Disability in Performance: Questions and Conundrums

    ByCharlotte Armstrong June 27, 2018February 10, 2024

    Some of the questions and conundrums surrounding disability in performance.

    Read More Disability in Performance: Questions and ConundrumsContinue

  • A guide dressed in black and wearing a headset leads a blindfolded audiece member
    Analysis | Production

    Auerbach’s The Blind and Disability Simulation

    ByCharlotte Armstrong May 29, 2018February 10, 2024

    Considering the use of disability simulation in the 2013 production of Lera Auerbach’s ‘The Blind’.

    Read More Auerbach’s The Blind and Disability SimulationContinue

  • Onstage, Weston Hurt is dressed in golden and blue robes with elaborate golden jewelry and collar, one hand upraised, an expression of consternation on his face.
    Experience | Guest Author

    THANK GOD we don’t all look and sound the same!

    ByWeston Hurt April 23, 2018February 10, 2024

    Baritone Weston Hurt reflects on his experiences in the world of opera.

    Read More THANK GOD we don’t all look and sound the same!Continue

  • Poster artwork for Verdi's Rigoletto by Komische Oper, featuring a black and white illustration of a man's face turning into a feline or wolf image, with a mask over the lower half of his face, barely concealing a fanged smile.
    In Pictures | Production

    In Pictures – Verdi’s Rigoletto

    ByCharlotte Armstrong April 1, 2018February 10, 2024

    Production posters and photographs reveal the many facets of Verdi’s enigmatic hunchback jester.

    Read More In Pictures – Verdi’s RigolettoContinue

  • Brown cover image of Narrative Prosthesis - Disability and the Dependencies of Discourse, by David T. Mitchell and Sharon L. Snyder
    Analysis

    Opera’s Narrative Prosthesis

    ByCharlotte Armstrong March 26, 2018February 10, 2024

    A brief look at what is meant by Narrative Prosthesis, and how it applies to opera.

    Read More Opera’s Narrative ProsthesisContinue

  • Wooden shelves with a library ladder are covered in antique folders and papers, labelled with the names of different operas from Figaro to Toscac to Werther and many more.
    Analysis

    Disability in Opera – The Numbers

    ByCharlotte Armstrong February 14, 2018February 10, 2024

    A closer look at the prevalence of disability in opera narratives, with the help of Blake Howe’s database of Musical Representations of Disability.

    Read More Disability in Opera – The NumbersContinue

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