Normality and Abnormality in Zemlinsky’s Der Zwerg
Juxtaposing disabled characters alongside aesthetically normative counterparts in the operatic canon.
Kill or Cure? The Fates of Disabled Characters in the Operatic Canon
What happens to disabled characters in opera?
Auerbach’s The Blind and Disability Simulation
Considering the use of disability simulation in the 2013 production of Lera Auerbach’s ‘The Blind’.
Opera’s Narrative Prosthesis
A brief look at what is meant by Narrative Prosthesis, and how it applies to opera.