Normality and Abnormality in Zemlinsky’s Der Zwerg
Juxtaposing disabled characters alongside aesthetically normative counterparts in the operatic canon.
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Kill or Cure? The Fates of Disabled Characters in the Operatic Canon
What happens to disabled characters in opera?
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Auerbach’s The Blind and Disability Simulation
Considering the use of disability simulation in the 2013 production of Lera Auerbach’s ‘The Blind’.
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Opera’s Narrative Prosthesis
A brief look at what is meant by Narrative Prosthesis, and how it applies to opera.
