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OPERA AND DISABILITY

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Silhouette of stage curtains frames the letters O & D
OPERA AND DISABILITY

Author: Charlotte Armstrong

A History of Rigoletto at Opera North
Analysis | Production

A History of Rigoletto at Opera North

ByCharlotte Armstrong February 15, 2021February 10, 2024

Unpacking Opera North’s various approaches to Verdi’s opera and its depiction of disability.

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Dramaturgical Prosthesis: Disability Imagery in David Pountney and Dan Potra’s The Portrait
Analysis | Costume design | Production

Dramaturgical Prosthesis: Disability Imagery in David Pountney and Dan Potra’s The Portrait

ByCharlotte Armstrong January 30, 2021February 10, 2024

Canes, wheelchairs, and symbolic blindness for dramatic effect?

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Insights on Storytelling and Tradition from Opera Mariposa
Panels & Conferences

Insights on Storytelling and Tradition from Opera Mariposa

ByCharlotte Armstrong January 25, 2021February 10, 2024

“How does opera… an art form rooted in centuries of tradition… embrace the future of storytelling – particularly against the backdrop of a global reckoning with systematic inequalities?”

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Strategies for Access and Inclusion from Opera Mariposa
Panels & Conferences

Strategies for Access and Inclusion from Opera Mariposa

ByCharlotte Armstrong December 28, 2020February 10, 2024

A panel of Deaf and disabled artists and advocates discuss accessibility in opera, during the pandemic and beyond.

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The Paradis Files: Opera like Never Before?
Analysis | Experience

The Paradis Files: Opera like Never Before?

ByCharlotte Armstrong September 28, 2020February 10, 2024

This new opera is breaking ground in terms of accessibility, inclusion and disability representation in the genre.

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Talking inclusive casting with Beth Hinton-Lever
Experience

Talking inclusive casting with Beth Hinton-Lever

ByCharlotte Armstrong September 13, 2020February 10, 2024

How is inclusive casting shaping conversations about disability representation on stage and screen?

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‘I’m not a box to tick, I’m an actor!’ In conversation with Beth Hinton-Lever
Experience

‘I’m not a box to tick, I’m an actor!’ In conversation with Beth Hinton-Lever

ByCharlotte Armstrong August 31, 2020February 10, 2024

Beth Hinton-Lever on her stage career, disability activism, and performative diversity in theatre.

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Music and Disability Studies: Exploring the Literature
Analysis

Music and Disability Studies: Exploring the Literature

ByCharlotte Armstrong May 14, 2020February 10, 2024

A dive into the existing literature on music and disability studies.

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The 2019 Classical Music Industry Conference
Panels & Conferences

The 2019 Classical Music Industry Conference

ByCharlotte Armstrong November 17, 2019February 10, 2024

Notes from the 2019 Classical Music Industry Conference (CMIC2019) at Middlesex University, London.

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Disability Mimicry: Exhibition and Erasure
Analysis | Criticism

Disability Mimicry: Exhibition and Erasure

ByCharlotte Armstrong September 23, 2019February 10, 2024

A first look at ‘disability mimicry’ and how it enables the simultaneous exhibition and erasure of disability on the operatic stage.

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Normality and Abnormality in Zemlinsky’s Der Zwerg
Analysis

Normality and Abnormality in Zemlinsky’s Der Zwerg

ByCharlotte Armstrong July 22, 2019February 10, 2024

Juxtaposing disabled characters alongside aesthetically normative counterparts in the operatic canon.

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Kill or Cure? The Fates of Disabled Characters in the Operatic Canon
Analysis | Criticism

Kill or Cure? The Fates of Disabled Characters in the Operatic Canon

ByCharlotte Armstrong April 23, 2019February 10, 2024

What happens to disabled characters in opera?

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